Autotune Vst T-pain Effect 17: A Collection of Music Making Tools by iZotope and T-Pain

Auto-Tune (or autotune) is an audio processor introduced in 1996 by American company Antares Audio Technologies.[4] Auto-Tune uses a proprietary device to measure and alter pitch in vocal and instrumental music recording and performances.[5]

Autotune Vst T-pain Effect 17

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Auto-Tune was originally intended to disguise or correct off-key inaccuracies, allowing vocal tracks to be perfectly tuned despite originally being slightly off-pitch. The 1998 Cher song "Believe" popularized the technique of using Auto-Tune to distort vocals. In 2018, the music critic Simon Reynolds observed that Auto-Tune had "revolutionized popular music", calling its use for effects "the fad that just wouldn't fade. Its use is now more entrenched than ever."[6]

Auto-Tune is available as a plug-in for digital audio workstations used in a studio setting and as a stand-alone, rack-mounted unit for live performance processing.[8] The processor slightly shifts pitches to the nearest true, correct semitone (to the exact pitch of the nearest note in traditional equal temperament). Auto-Tune can also be used as an effect to distort the human voice when pitch is raised or lowered significantly,[9] such that the voice is heard to leap from note to note stepwise, like a synthesizer.[10]

In an early interview, the producers of "Believe" claimed they had used a DigiTech Talker FX pedal, in what Sound on Sound's editors felt was an attempt to preserve a trade secret.[18] After the success of "Believe" the technique was initially referred to as the "Cher effect".[19][20]

The use of Auto-Tune as a vocal effect was bolstered in the late 2000s by hip hop/R&B recording artist T-Pain, who elaborated on the effect and made active use of Auto-Tune in his songs.[22] He cites new jack swing producer Teddy Riley and funk artist Roger Troutman's use of the talk box as inspirations for his own use of Auto-Tune.[16] T-Pain became so associated with Auto-Tune that he had an iPhone app named after him that simulated the effect, called "I Am T-Pain".[23] Eventually dubbed the "T-Pain effect",[15] the use of Auto-Tune became a popular fixture of late 2000s music, where it was notably used in other hip hop/R&B artists' works, including Snoop Dogg's single "Sexual Eruption",[24] Lil Wayne's "Lollipop",[25] and Kanye West's album 808s & Heartbreak.[26] In 2009, riding on the wave of Auto-Tune's popularity, the Black Eyed Peas' number-one hit, "Boom Boom Pow", made heavy use of Auto-Tune on all the group's vocals to create a futuristic sound.[15]

The effect has also become popular in raï music and other genres from Northern Africa.[28] According to the Boston Herald, country stars Faith Hill, Shania Twain, and Tim McGraw use Auto-Tune in performance, calling it a safety net that guarantees a good performance.[29] However, other country music singers, such as Allison Moorer,[30] Garth Brooks,[31] Big & Rich, Trisha Yearwood, Vince Gill and Martina McBride, have refused to use Auto-Tune.[32]

Opponents of the plug-in have argued that Auto-Tune has a negative effect on society's perception and consumption of music. In 2004, The Daily Telegraph music critic Neil McCormick called Auto-Tune a "particularly sinister invention that has been putting extra shine on pop vocals since the 1990s" by taking "a poorly sung note and transpos[ing] it, placing it dead centre of where it was meant to be".[37]

Retune Speed: This is one of the most important settings to pay attention to, as it sets how fast Auto-Tune will tune a note, similar to a glide or fade time from non-tuned to fully tuned processing. Setting a very fast time will remove any variations in pitch, but can yield some very unnatural results. But then again, this is a big part of creating the T-Pain/Cher effect. If this is what you are looking for, absolutely start here with a very fast time!

Ever heard a song by T-Pain on the radio and wondered how the robotic vocal effect is achieved? By the end of this tutorial, you will own the autotuning sound that is used on so many pop records right now.

You may assume that it takes a masterful engineer and a lot of money in hard effects to get that autotuned sound, but that's not the case: using only a few steps and a simple plugin you will be well on your way. In this tutorial we'll go one step further and show you how to create an autotuning effect that sounds as good as the pros.

This tutorial assumes basic knowledge of VST effects and FL Studio. You will need Antares AutoTune VST or a similar autotuning VST to perform this effect correctly, and of course, a microphone that is able to record into FL Studio. Besides that plugin, I will be using the effects packaged with FL Studio to finish shaping the sound.

The spirit of this effect is to sound a little more robotic, so what we are going to do now is further create that robotic/artificial sound using other effects. These effects will change from microphone to microphone, so it is important to experiment until you get the sound you're looking for.

The next thing in my FX chain after the auto-tuner is going to be an EQ plugin. I'll be using this EQ to brighten up the highs, and exaggerate the artificial effect. Using EQUO, I've boosted all of the frequencies past 2.5khz to about 400%. This exaggerated EQ will add even more definition to the robotic effect. This may produce too much brightness on nicer microphones, so you may want to start at 400% and work your way down until you've got a reasonably bright vocal.

Optional: At this point, I've found that inserting the newly-added Soundgoodizer plug-in after the Reverb works very, very well on autotuned vocals. Give it a shot in the effects chain to get some interesting effects due to Soundgoodizer's limiter. It also keeps the volume level high and limited, which adds to the artificial sound.

After the Fruity Reverb, I'll add what is probably the most important and delicate effect in the chain, a chorus. Refer to the settings snapshot to recreate this wonderful effect: it will give your vocal plenty of depth, and it has convinced many of my listeners that I am not, in fact, recording on a $25 microphone!

Moving on from there, my next effect is the Fruity Delay Bank. I've kept this one simple, and it will create a little more atmosphere along with the Reverb that was added earlier in the chain. Notice that I've used some pretty crazy volume/mix values for the effects. Sometimes an effect becomes too overpowering at full volume, so experiment with turning it down until you achieve a nice balance.

Auto tune is a popular effect made popular by T-pain. To do this you will need two programs. The first one is Auto-tune and the other one is music editing program called Mix craft. You can also use other music editing programs of your choice. Download this programs from their website. You can also use the trial versions. Now open up Mix Craft and under the effects you can find the Auto Tune effects in VST effects. Open some kind of music. Double click and import the required music. You can also use WavePad to record your music. To record all you need to use is open a new file and press the record button. Using this tool can be very simple and effective. This video shows how to use the Auto-Tune effect that is present in the Mix craft music edition program and produce the T-pain effect. 2ff7e9595c